Deo Rian "Gotas De Ouro" (Revivendo)
This CD collects material from two latter-day choro albums recorded by master bandolim player Deo Rian in 1970 and '76, working through classic compositions by Pixinguinha, Ernesto Nazareth, Jacob Do Bandolim and a more modern tune by Paulinho Da Viola. These tracks feature light orchestration, along with Rian's masterful playing -- it's rather genteel music, not unlike a chamber quartet, and you have to be in the right frame of mind to appreciate it... Rian's playing is more expressive and varied than some other performers I've heard doing similar material. For choro enthusiasts, this should be quite a treat!
Deo Rian "Ernesto Nazareth" (RCA Victor, 1970)
Apparently this was Rian's first solo album, a tribute to composer Ernesto Nazareth... It's nice, though a little formal and reserved. Accompanists include guitarist Dino 7 Cordas and Canhoto, as well as the Quinteto Villa Lobos... Rian's bandolim occasionally trades the spotlight with a tootling trombone (or is it a tuba?) and the archaic style takes a little getting used to... But it is lovely stuff, particularly for choro and nostalgia fans.
Deo Rian "...Toca Para O Rei Roberto Carlos" (CID, 1974)
Deo Rian "Choros De Sempre" (EMI, 1974)
A straight CD reissue of Rian's 1974 album, Choros De Sempre, which features technically impressive performances and some questionable production choices. In general, this seems to be primarily a showcase for some mellow yet flashy mandolin picking, with some unfortunate collisions with more lavish pop-orchestral arrangements. Yet even this is deceptive: the intricate stop-and-start interplay of Rian's bandolim and the string section on "Lamento" is pretty remarkable... (Plus, it's a tune cowritten by Pixinguinha and Vinicius De Moraes!) This verges on cheesiness, but it'll grow on you with repeated listenings.
Deo Rian "Saudades De Um Bandolim" (Continental, 1976)
Deo Rian "Ineditos De Jacob Do Bandolim, v.1" (Eldorado, 1980)
Deo Rian "Ineditos De Jacob Do Bandolim, v.2"
Deo Rian "Deo Rian" (Tartaruga-Japan, 1992)
Deo Rian & Rafael Rabello "Delicatesse" (BMG-Ariola, 1993)
Deo Rian & Bruno Rian "Choro Em Familia" (Kuarup, 1999)
Marku (Ribas) "Selecao De Ouro: 18 Sucessos" (Copacabana)
Inventive funk music that bears a resemblance -- particularly in the vocals -- to soul crooner Tim Maia. '70s songwriter Marku Ribas, however, had a weirder musical bent, with all sorts of freaky instrumental twists that make his music far more intriguing and consistently listenable. I'm not sure exactly when these tracks were recorded; I'd guess late '70s, early '80s. At any rate, as the Brazilian soul scene goes, this is a pretty interesting record. Worth tracking down.
Marku (Ribas) "72/75" (Copacabana)
This disc draws on two albums, Underground, from 1972 and 1975's Marku.
Marku Ribas "Cavalo Das Alegrias" (Philips, 1979)
Pery Ribeiro - see artist discography
Rita Ribeiro "Perolas Aos Povos" (Putumayo/MZA, 2000)
Blessed with a warm, comforting voice reminiscent of the great Clara Nunes, Ribeiro is one of the new crop of so-called "neo-tropicalistas," blending bouncy pop-rock and reggae into an MPB style that is a bit milder (and less jittery) than the contemporary axe style from Bahia. Ribeiro excels when sticks to simpler arrangements (like on this album's opening track, "Banho Cheiroso," or the calypso-tinged "Mana Chica"), projecting a smiley, exuberant vocal vibe that recalls Nazarene Pereira's best work. However, leter this album strays into more belabored musical terrain -- for the most part it sounds just fine, but you feel such deliberate, cerebral, effort on the part of producer Mazzola that it's difficult to get as swept away by this album as you'd like. The underlying effect is more mechanical than rapturous... which is a pity, since Ribeiro really is a very appealing performer.
Rita Ribeiro "Rita Ribeiro" (Caravelas, 1997)
Rita Ribeiro "Comigo" (MZA, 2001)
Rita Ribeiro "Deixo-Me Ir Atrs Do Fado" (Zona Musica, 2003)
Rita Ribeiro "Tecnomacumba" (Biscoito Fino, 2007)
Roberto Ribeiro & Elza Soares "Sangue, Suor E Raca" (Odeon, 1972)
(Produced by Milton Miranda & Lyrio Panicalli)
A fine, funky samba album, with samba-soul singer Elza Soares exploring new textures and modern rhythms. Newcomer Roberto Ribeiro, from the Imperio Serrano samba school, makes his recording debut as an able duet partner, helping ground Elza's normally dramatic vocals in a calmer, cooler, sexier mode. There are several longer "potpourri" medleys on here, a format I generally dislike, although here the melodies are all given a full, lush reading, and the musical end is quite lovely. All in all, a warm, inviting album, with pianist Dom Salvador back on board as arranger and bandleader. Lovely stuff... a few songs a bit on the staid side, but for the most part, a career highlight... Worth checking out!
Roberto Ribeiro/Simone/Joao De Aquino "A Bruxelles: Brasil Export '73" (EMI-Odeon, 1973)
Roberto Ribeiro "Molejo" (EMI-Odeon, 1975)
Roberto Ribeiro "Arrasta Povo" (EMI-Odeon, 1976)
Deep roots samba. A lovely, simple acoustic album -- elegant, effortless, mellow and melodic, the epitome of classy '70s-style pagode. This is a sparsely arranged, unhurried album, framing Ribeiro's equally relaxed vocals. Nice stuff!
Roberto Ribeiro "Poeira Puro" (EMI-Odeon, 1977)
Roberto Ribeiro "Coisas Da Vida" (EMI-Odeon, 1979)
Roberto Ribeiro "Fala Me Povo" (EMI-Odeon, 1980)
Roberto Ribeiro "Massa, Raca E Emocao" (EMI-Odeon, 1981)
Roberto Ribeiro "Fantasias" (EMI-Odeon, 1982)
Roberto Ribeiro "Roberto Ribeiro" (EMI-Odeon, 1983)
Roberto Ribeiro "De Palmares Ao Tamborim" (EMI-Odeon, 1985)
Roberto Ribeiro "Corrente De Aco" (EMI-Odeon, 1985)
Roberto Ribeiro "Sorri Pra Vida" (EMI-Odeon, 1987)
Roberto Ribeiro "Roberto Ribeiro" (BMG-Ariola, 1988)
Roberto Ribeiro "Meus Momentos" (EMI, 1999)
Sweet samba from the '70s and early '80s... the same sort of flowery arrangements and big, bright choruses as contemporary records by Beth Carvalho and Clara Nunes. Although Ribeiro may have lacked the visceral ooomph the gals had, he's still pretty sweet. Like the other recent Meus Momentos releases, this 2-CD set collects a couple of earlier best-of discs, and the first CD is punchier than the second. But it's a fab budget-line release -- totally worth checking out!
Roberto Ribeiro "Eu Sou O Samba" (EMI, 2004)
Sergio Ricardo - see artist profile
Rio 3 "Valley Samba" (Whatmusic, 2004)
An accomplished jazz album, at least by the standards of mid-1960s Brazil. The opening numbers are bouncy and richly rounded, sounding much like Vince Guaraldi's poppy, melodic jazz work; midway through the band gets more aggressive and closer to the clattersome "trio" sound of the bossa-era jazz scene, then the album rounds out with some smoother material, closer in feel to the post-bop studio jazz up North. This short-lived group came out of the remnants of pianist Luiz Carlos Vinhas' Bossa Tres, and its larger incarnation, Gemini V, both popular cabaret acts. When Vinhas left the group, however, they had to come up with a new name, and opted for Rio 3, after recruiting Osmar Milito to fill in as pianist. After gathering some steam on the club scene, they were scooped up by the USA-bound Sergio Mendes, who incoprorated the trio into his band, Bossa Rio. Apparently these tapes, which were made in 1968, lingered in the vaults for three decades, until this belated reissue. It's okay material, more enjoyable than a lot of the bossa trio work that preceded it, though not as substantive as the North American jazz it often emulates. Worth checking out, if you're into the style.
Maria Rita "Maria Rita" (Warner-Brasil, 2004)
Maria Rita "Maria Rita" (DVD) (Warner-Brasil, 2004)
Maria Rita "Segundo" (Warner-Brasil, 2005)
Maria Rita "Segundo Ao Vivo" (DVD) (Warner-Brasil, 2006)
Maria Rita "Fora De Orbita" (Tratore, 2006)
Maria Rita "Meu Samba" (Universal, 2007)
(Produced by Leandro Sapucahy & Maria Rita)
Brazilian singer Maria Rita is the daughter of two celebrated musicians from the 1960s/1970s "MPB" era, pianist Cesar Camargo Mariano and jazz diva Elis Regina. Hailed as one of Brazil's hot new song stylists, Rita is one of a remarkably talented wave of "second generation" artists whose parents were musical trailblazers a few decades ago... I have to confess that I haven't been a big fan of her work up until now, although this is a lovely album. The focus here is on samba or samba-derived songs, and working in this sensual, classic form, Rita sheds the stylistic affectations and cool reserve of her earlier work -- her performances here are vibrant and joyful, and the songs themselves are seductive and sweet. The repertoire draws heavily on the work of samba revivalist Arlindo Cruz (a veteran member of Grupo Fundo Do Quintal), with songs from MPB composer Gonzaguinha, Edu Kreiger, and a slew of lesser-known songwriters. It's a lovely set, reminiscent of the work of samba-pop stars such as Martinho Da Vila and, of course, Rita's mother, who was known to sing a fine samba tune or two herself. For non-jazz fans who want to hear Rita at her best, this disc is a fine place to start.
Ritchie "Voo De Coracao" (1983)
Ritchie "...E A Vida Continua" (1984)
Ritchie "Circular" (CBS, 1985)
Relentlessly perky, blandly produced, disco-y "new wave," very much in keeping with the pop side of early MTV programming (A-Ha, Wham, et al.) of the time. It isn't until the last two songs on Side Two of this album that there's any break in the monotony. But even then, this disc hasn't much to recommend itself. Ritchie apparently worked with many members of the Brazilian rock elite in the 1970s and '80s -- Cazuza, Lulu Santos, Caetano Veloso -- before going solo in 1983. This was, I believe, his third album. If you liked Vinicius Cantuaria's early solo work, then this might appeal to you as well...
Ritchie "Pra Ficar Contigo" (1988)
Ritchie "Pra Ficar Contigo" (1988)
Ritchie "Sexto Sentido" (1990)
Ritchie "Auto-Fidelidade" (2000)
Ritmos E Vozes & Jose Briamonte "Agora E Samba" (EMI-Odeon, 1973)
A big change of pace for arranger/bandleader Jose Briamonte, who'd mainly recorded goofy instrumental albums before... Here, he dives into the '70s samba revival, with a lively set of rootsy pagode-style tunes. Vocals are provided by a perky mixed chorale named Ritmo E Vozes, a group with both male and female voices and a cheerful tone. They're not unlike Quarteto Em Cy and MPB4, but a bit more restrained and less flashy than those poppy ensembles. There's plenty of roots-samba records from this era that are cooler or more magical, but this is still a pretty good record. Definitely worth checking out.
Jose Roberto "...E Seus Sucessos" (Epic, 1968)
Fairly lightweight, late vintage jovem guarda teenpop. Taking his cues from scene leader Roberto Carlos, Jose Roberto sings soft, emotive, midtempo love songs, though unlike many of his JG contemporaries he seldom varies the tempo or his own vocal approach, and -- more remarkably -- none of the songs in his repertoire were covers of American or British pop tunes. The backing is generally lackluster, with lazy, Carlos-ian electric organ balanced by rhythm and guitars that only occasionally hint at a brighter, more psychedelic '60s pop sound. That being said, Roberto's music isn't offensive or offputting... it's perfectly fine for what it is, it just isn't very exciting.
Jose Roberto "...E Seus Sucessos, v.2" (Epic, 1969)
Paula Robison "Brasileirinho" (Omega, 1993)
Classical flautist Paula Robison does a great job with choro oldies by Pixinguinha and Jacob Do Bandolim, as well as some Luiz Bonfa tunes and a couple of brief passages of Bach. Beautiful, deft, flowery melodic flourishes match the musical acrobatics of the original Brazilian recordings of the 1920s and '30s. Along with her are guitarists Romero Lubambo and Tiberio Nascimento, as well as Sergio Brandao on cavaquinho and percussionist Cyro Baptista. The best tracks are the openers, bouncy renditions of "1 X 0" and other choro standards; when Robison plays unaccompanied, the album loses some steam, despite her beautiful tone and restrained lyrical style. For a beautiful, clean sounding update of the old choro style, this is a pretty good record, worthy of comparision to Paul Moura's well-known Pixinguinha album.
Paula Robison "Rio Days Rio Nights" (Arabesque, 1998)
A more modern take on the Brazilian sound, with accompaniment by percussionist Cyro Baptista and guitarist Romero Lubambo...
Arnaud Rodrigues "Murituri" (Continental, 1974)
A cool psychedelic rock-samba gem, with touches of the Northeastern regional rock of Ze Ramalho and Alceu Valenca... Some songs have a samba-funk feel similar to Jorge Ben and Gilberto Gil's work of the same era; other tracks are electric guitar extravaganzas, mixing fuzztones with note-heavy, bluesy solos, while still others have the jazz/orchestral feel of more mainstream MPB. Cult fave Arthur Verocai had a hand in this one, both as a songwriter and a producer/arranger, and fans of his work will want to check this out as well. All in all, an exemplary album of its time. Rodrigues wasn't a great singer, but this is a pretty groovy record.
Jair Rodrigues - see artist discography
Pedrinho Rodrigues & Bebel Gilberto "Geraldo Pereira" (Funarte, 1983)
Bebel Gilberto, early in her career, singing in tribute to writer Geraldo Pereira, an early samba cancao star who Joao Gilberto admired and emulated. Haven't heard this one yet, but I look forward to tracking it down someday.
Virginia Rodrigues "Sol Negro" (Rykodisc, 1998)
(Produced by Celso Fonseca & Caetano Veloso)
One of Brazil's brightest stars in the late 1990s and a darling of the US-European "world music" scene, Virginia Rodrigues is blessed with an exceptional, distictive voice, showing a touch of Maria Bethania's lower range, along with a somewhat operatic twist at the edges. I have heard criticisms that Ryko's version of this album undoes the careful sequencing of the original Brazilian release... Not having heard the import, I do have to concede that the pacing here seems a little choppy. Still, this features some lovely arrangements by Caetano Veloso, and even though her voice is a bit overripe and florid, the disc is certainly worth giving a listen. Fans of Cesaria Evora may be particularly pleased.
Virginia Rodrigues "Nos" (Natasha/Hannibal, 2000)
While it is true that Virginia Rodrigues represents something quite new on contemporary Brazilian pop -- a unique voice and an unusually low-key approach to the Afro-Brazilian percussion -- I have to admit that I found my attention wandering on this one. Even with input and guidance from my hero, Caetano Veloso, this album sounds rather stuffy and ponderous. While on one level it's nice that Rodrigues shies away from the now-stereoypical vocal expansiveness that defined the work of divas such as Clara Nunes and Elis Regina, her quietude and restrained approach feel too static, and perhaps suggest a talent which is capable of more than it's producing. Then again, this is a layered and delicate production, and you may find that with repeated listenings it may continually reveal new surprises. It just didn't really grab me.
Virginia Rodrigues "Mares Profundos" (Deutsche Gramophone, 2003)
(Produced by Luiz Brasil & Caetano Veloso)
Rodrigues reinterprets the famed Afro-Sambas album, recorded in 1966 by poet Vinicius De Moraes and guitarist Baden Powell... This had more depth and texture than her previous albums, but I still am not fond of her songbird-ish voice, and there seems to be a tendency to match the gooeyness of her vocals with equally florid orchestrations. This is certainly worth checking out, although I can't say it really moved me that much. Caetano Veloso duets on "Labareda," and also helped sculpt the album... Apparently, the legendary Joe Boyd had a hand in it as well.
Ze Rodrix "1st Acto" (Odeon, 1973)
Ze Rodrix "Quem Sabe Sabe Nao Sabe Nao Precisa Saber" (Odeon, 1974)
Ze Rodrix "Soy Latino Americano" (EMI-Odeon, 1976)
Ze Rodrix "Quando Sera?" (EMI-Odeon, 1977)
Ze Rodrix "Sempre Livre" (RCA Victor, 1979)
Ze Rodrix "Serie Retraos" (2003)
A best-of set...
Ze Rodrix "Serie Brasil A-Z" (EMI, 2007)
A 3-CD "bricked" set, collecting three original albums.
Familia Roitman "O Samba Nas Regras Da Arte" (Melodie, 1994)
Familia Roitman "Coise De Antigua" (Rob Digital, 2001)
Dom Um Romao "Dom Um Romao" (Muse, 1972)
Dom Um Romao "Spirit Of The Times" (Muse, 1973)
Dom Um Romao "Hotmosphere" (Fantasy/Prestige, 1976)
(Produced by Dom Um Romao; arranged by Celia Vaz)
A wide-ranging, though very '70s-ed out jazz album, which highlights this veteran drummer at his best. The album opens with an impressive pair of batucada tunes that should get your attention. Things get more stereotypically jazzy from there, but even with the rambling fusion and post-bop meanders, this is a pretty strong album. Even old grumps like myself who don't have much use for '70s style jazz should recognize that this album is towards the top of the heap for the style. Romao is also notable as one of the all-too-rare Braz-jazzers who hang onto their Brazilianness, despite working up in the States. Guest musicians include pianist Dom Salvador, who was known for his role in the Black Rio soul scene. Worth checking out.
Dom Um Romao "Saudades" (Water Lily Acoustics, 1993)
Dom Um Romao "Rhythm Traveller" (Mr. Bongo, 1998)
Impressive recent recordings from this Braz-jazz oldtimer. Drummer Romao, who worked with Sergio Mendes in the '60s, and Weather Report in the '70s, has a lot of jazz cred behind him, and draws on it liberally. The highlights for me are the batucada and percussive workouts, but folks with a light jazz sweet tooth may like the breezier stuff as well. Very retro, but not bad for an old geezer.
Dom Um Romao "Lake Of Perseverance" (ITM, 2001)
Dom Um Romao "The Complete Muse Recordings" (32 Jazz, 1999)
Collects music from two albums on the Muse label, Dom Um Romao (1972) and Spirit Of The Times, from 1973.
Angela Ro Ro "Angela Ro Ro" (Polydor, 1979)
Angela Ro Ro "So Nos Resta Viver" (Polydor, 1980)
Angela Ro Ro "Escanadlo" (Polydor, 1981)
Angela Ro Ro "Simples Carinho" (Polydor, 1983)
Nice voice, horrible music. The tackiest pop arrangements imaginable; on a tune or two at the end she gets a teeny bit blues and rock-ish, and there is one nice tango tune ("Cambalache," which would have been more fun if she sang in Portuguese, instead of Spanish...) In essence, however, this is a dreadfully tacky pop record. Totally skippable, even though she is an appealing, charismatic singer.
Angela Ro Ro "A Vida E Mesmo Assim" (Polydor, 1984)
Angela Ro Ro "Eu Desatino" (Polydor, 1985)
Angela Ro Ro "Prova De Amor" (Eldorado, 1988)
Angela Ro Ro "Ao Vivo" (Som Livre, 1993)
Angela Ro Ro "Acertei No Milenio" (EMI, 2005)
Angela Ro Ro "Compasso" (Indie, 2006)
Angela Ro Ro "Colecao Obras-Primas" (PolyGram, 1997)
Fairly standard MPB recorded between 1979-85... Ro Ro, with her husky voice and lavish arrangements is obviously taking her cues from Maysa and Maria Bethania, although she is somewhat more playful (as heard in her nostalgic rocknroll cover of Lieber and Stoller's "Hound Dog") than those divas tended to be... This best-of covers her first solo albums; it isn't dazzlingly original, but Ro Ro had her charms and holds her own next to similarly throaty singers such as Bethania and Virginia Rodrigues. (She was, incidentally, one of the first Brazilian pop stars to come out of the closet, writing about the public reaction in songs such as "Escandalo.")
Angela Ro Ro "Serie Millennium" (Universal, 1999)
Angela Ro Ro "A Arte De Angela Ro Ro" (Universal, 2005)
Angela Ro Ro "Serie Millennium" (Universal, 1999)
Noel Rosa - see artist discography
Sonia Rosa "Samba Amour" (Sony, 1992)
Sonia Rosa "A Bossa De Sonia Rosa" (Bomba)
Sonia Rosa & Yuji Ohno "Brisa Brasileira: Spiced With Brazil" (Sony, 2001)
Rosana "As Melhores" (Sony-Brasil, 2001)
A 14-song best-of featuring plenty of tacky, mainstream '80s pop from this marginal singer. She covers Al Green's "Let's Get Together" (yowling her way through it) and an old Minnie Ripperton song... The old-school soul is balanced by songs by some influential Brazilian rock artists (Rita Lee, Lenine, Marcos Valle and others) but nothing that didn't make me cringe in horror. Not my style.
Rosanna & Zelia "Passagem" (Peregrina, 1997)
Pleasant, but lightweight, bossa nova-flavored MPB, issued on a German label. There are echoes of Joyce and Marisa Monte, though this duo doesn't have as much spark to their vocals as either of those big stars. Some creative arrangements -- particularly the Astor Piazzolla-like accordion that snakes through many of the tracks -- but overall this lacks bite, and seems a bit tamely produced.
Rosanna & Zelia "Aguas - Iguais" (Enja, 2004)
RPM "Revolucoes Por Minuto" (CBS-Epic, 1985)
(Produced by Luiz Carlos Maluly)
The debut album by new wave rock band RPM, who were one of Brazil's more credible commercial rock bands of the early '80s. Lead singer Paulo Ricardo went on to a successful solo career (which is kind of ironic, since his bellowing vocals are one of the least attractive things about this record...) The guitars are cool, though: jittery New Wave staccato with teeny hints of punky origins... Worth checking out if you're mining deep into Brazilian rock history -- I'd place this mostly as a curio, though; I couldn't really get into it as an album I'd want to listen to recreationally.
RPM "Radio Pirata Ao Vivo" (CBS-Epic, 1986)
RPM "Os Quatros Coiotes" (CBS-Epic, 1988)
RPM "MTV RPM 2002" (Universal, 2002)
Renato Russo "O Ultimo Solo" (EMI, 1998)
Renato Russo "Equilibrio Distante" (EMI, 1999)
The late lead singer for Legiao Urbana, singing a pop album in Italian, with absolutely horrible music to back him up... as is entirely appropriate to the target audience. Yecch. Not my kinda "pop."
Renato Russo "Renato Russo" (Atracao, 2003)
Renato Russo "Serie Identidade" (EMI, 2002)
Renato Russo "Colecao A-Z" (EMI, 2003)
A "bricked" box set with straight reissues of three Russo albums... Not quite sure which albums they were, though...
Renato Russo "Colecao Talento" (EMI, 2004)
Renato Russo "Series Bis" (EMI, 2005)
Mac Rybell "Mac Rybell" (Beverly, 1974)
Portuguese-language soft-psych sunshine pop tunes alternate with English-language songs of a similar calibre. I prefer the stuff in Portuguese, but it's all okay. A cute-sounding soft-pop record, on the fringes of the commercial brega pop sound -- a little gooey and lightweight, but overall pretty nice... Some songs are duds while others are sweet.
