Hi, there! This page is part of an opinionated guide to what I call "hard country" music -- the real stuff -- with a bunch of record reviews and recommendations by me, Joe Sixpack. Naturally, it's a work in progress, and will hopefully be expanded on quite a bit, as time allows.


This is the second page covering the letter "B"




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Clay Blaker & The Texas Honky-Tonk Band "What A Way To Live" (Texas Music, 1981)


Clay Blaker & The Texas Honky-Tonk Band "Sooner Or Later" (Texas Music, 1986)
One of George Strait's best buddies and favorite songwriters, Clay Blaker originally hailed from Southern California, but when he moved his band to the Lone Star State, he found that he fit in just fine. This is one of several independently released albums that feature his amiable mix of honkytonk and western swing, and it's mighty fine to listen to, especially with a beer or two under your belt. Only two of the songs on here are Blaker originals; bandmembers Bob Kelly and Dan McCoyeach contribute a few as well... Nice disc; ends with a swell version of Johnny Cash's "Big River"... Nice, unpretentious, danceable hard country music.


Clay Blaker "Layin' It All On The Line" (Neobilly, 1993)


Clay Blaker "Rumor Town" (Neobilly, 1998)


Clay Blaker "Welcome To The Wasteland" (Neobilly, 2000)
An old-timer on the Texas indiebilly scene, songwriter Clay Blaker has taken on a somewhat more rock-tinged sound this time around, although this album is also packed with rich, pure country tunes. I started noticing a strong similarity to Jim Lauderdale's work in a bunch of these songs, and when I finally looked at the song credits, it turns out he'd co-written two of the songs with Lauderdale, and Lauderdale's quirky, eclectic approach is an obvious influence on several other tunes. All but one of the songs were written or cowritten by Blaker; the lone holdout is a nice version of Rodney Crowell's "Don't Need No Memories," a plaintive duet with Lisa Morales. A mighty fine record, proving once again that there's gold in them thar (South Texas) hills!


Blue Ridge Rangers "Blue Ridge Rangers" (Fantasy, 1973)
After Creedence Clearwater Revival imploded, frontman John Fogerty got so fed up with the fratricidal aspect of actually being in a band, that he promptly went off and recorded an album all by himself -- played all the instruments, picked all the tunes, multitracked the album, and totally rocked out. This is the result, a masterful set of country oldies, covering artists such as Jimmie Rodgers, Webb Pierce and Melvin Endsley, all with a jocular, rolling bounce that can't help but win you over. Highly recommended!



The Blue Sky Boys -- see artist discography



Dock Boggs - see artist discography



Johnny Bond - see artist discography


Margie Bowman "From The Heart Of Margie Bowman" (Ranger Records)
(Produced by Forrest Green)

This gal from the town of Ozark, Arkansas wrote most of the songs on this album, adding a few cover tunes from the likes of Merle Haggard, Kris Kristofferson and Loretta Lynn. Bowman was a rough, rural vocalist -- although she pays homage to Loretta, her roots run a little deeper, back to foremothers such as Kitty Wells and more particularly to Jean Shepard, whose proto-feminist anthems are echoed in Bowman's own lyrics. This is best borne out on the album's second track, "Lord, Did You Think Of Lonely Women," in which she directly confronts God (yes, that God!) about the religious double standards that make it okay for men to seek comfort in sex, but don't allow women to do the same. That's probably the most striking song on here, but there are several that are quite good. Bowman is backed by producer Forrest Green and his band, the Rangers, a veteran of the 1950's country scene and former Arkansan himself, who moved to Michigan and settled into a second act as an indie record producer... His band adds a lively, melodic, steel-driven twang, reminiscent of Lynn's best work from the '60s; the album isn't that well-produced, and Bowman's phrasing sounds a little stiff -- nerves, maybe? -- but it's still a cool record. Not entirely sure when this was made, but I'm guessing it was around 1974-75, based on the album art and on the cover tunes: "Me And Bobby McGee" was from the late '60s, but Haggard's "Holding Things Together" came out in '74. Anyone out there know for sure?



Bill Boyd - see artist discography


Jack Bradshaw "Saturday Night Special" (Honky Tonk Heroes series) (Bear Family, 2012)



Elton Britt - see artist discography


Billy Brown "Did We Have A Party" (Honky Tonk Heroes series) (Bear Family, 2012)



Junior Brown -- see artist discography



Marty Brown -- see artist discography



Jann Browne -- see artist discography



Ed Bruce - see artist discography


Vin Bruce "King Of Cajun Music: Dans La Louisianne" (Bear Family, 2011)
A much-welcomed collection of early recordings by Louisiana country-cajun pioneer Vin Bruce, who broke through as a regional star in the early 1950s, mixing swamp music with pure, raw honkytonk twang. There's some really sweet country stuff on here, about half of it sung in French, which is a nice twist. Add Bruce to your short list of cajun hillbilly singers, alongside folks like Doug Kershaw, Jimmy C. Newman, Steve Riley and Harry Choates. Having studio legends like Chet Atkins and Grady Martin playing guitar on several tracks is a definite plus. Another fine Bear Family release!


Cliff Bruner "...And His Texas Wanderers" (Bear Family, 1997)
A 5-CD set devoted to an outstanding -- but little remembered -- pioneer of classic western swing. Covers Bruner's work between 1937-1950, with bands that included hick music greats such as pianist Moon Mullican, steel player Bob Dunn, and others. Prime stuff!



Jimmy Bryant - see artist discography


Buchanan Brothers "Atomic Power" (Bronco Buster)
Whereas other brother acts like the Louvins, Monroes and Delmores tended to be Gloomy Gusses, singing endlessly about lost loves and Mama up in heaven, these two were whooping it up and having a whale of a time. Like the Louvin Brothers, the Buchanans came to the "brother act" scene a little bit late (the real heyday had been in the 1930s, these tracks come from the late '40s...) but that didn't diminish their pep in the slightest. Great novelty songs with an archaic, string band sound -- songs about flying saucers, atomic bombs and undesirable girlfriends, all from a delightfully "hillbilly" perspective. (Available through the Binge Disc label...)



The Buckaroos - see artist discography


Ed Burleson "Comin' Around" (Bar 27 Productions, 1997)
An extraordinary debut by this Texas-bred indiebilly firebrand, aided by an extraordinary cast of musicians -- Tommy Alverson, Clay Blaker, Alvin Crow, Bill Kirchen and Lloyd Maines are among the old-timers who pitch in to give this disc a rich, full, rural sound that'll pin back the ears of any hardcore honkytonk fan in search of for-real country music in these times of push-button, pretty-boy Nashville pop. Those Texas twin fiddles waft up amid the pedal steel and Merle Haggard-style guitars; here's an indiebilly album that has grand ambition, and lives up to it on every song. A nice mix of weepers and honkytonk tunes -- Burleson doesn't have a killer voice, but he's got real country soul, and that counts for a lot. Most of all, the calibre of songwriting and performances by the band are both quite impressive. Most of the songs on here are Burleson originals, and it's always nice to hear someone adding new stuff to the tradition. Four of the other cuts were written by Jim Lauderdale, and Burleson seems to have a nice feel for his idiosyncratic composing style. There are rough edges, to be sure -- Burleson's vocals might not be for everyone -- but, hey, isn't that kind of the point, that we're sick of hearing all this too-perfect pop pablum coming out over the radio? Chances are you won't hear this guy over the airwaves, but if you pick up this CD (or any of his other albums), you'll be mighty glad you did!


Ed Burleson "My Perfect World" (Tornado, 1999)
This is largely the same record as Comin' Around, with two new songs (and two others omitted) and a different track order. And damn, it's good. If you miss the hazy, crazy days of the 1970s, when great bands with small budgets ruled the earth, then this disc will seem like a nostalgic blast from the past... And if you missed out on that kinda sound the first time 'round, be thankful that folks like Burleson are here to keep the flame alive.


Ed Burleson "Live At The Sons" (Just Released Records, 2001)
Let's hear it for Texas! Another fine album that confirms Ed Burleson's status as one of the most vigorous, vital and roots-oriented country singers out there today. It's just amazing to hear a guy this good and this down-to-earth making records, and singing his songs like he actually gives a damn about the music. Playing live at the Sons of Herman Hall in Dallas, TX, Burleson cusses a little, sings a lot, and lets his band romp through a really tasty set of hard country classics. The show kicks off with a fine version of Johnny Paycheck's "A-11," and cruises into some fine Burleson originals, including sardonic gems like "I Can Be Lonely By Myself" and the refreshingly retro "Bitch And Moan," where the singer admits he'd rather be stuck in traffic than have to hear his girlfriend try and rip him a new one. By the time he gets to a cover of the old Webb Pierce hit, "There Stands The Glass," Ed'll have you won over. Only a few songs come from his earlier albums, like "No Closing Time," and others include well-chosen covers like Waylon's "Rainy Day Woman" and a sizzling version of the Link Davis cajun anthem, "Big Mamou," with some dazzling twin fiddle work. A really nice record -- you really get a sense of Burleson's easygoing charm and his deep country roots. Highly recommended.


Ed Burleson "The Cold Hard Truth" (Palo Duro, 2004)
This is just flat-out one of the best hard country albums of 2004... heck, even of the century (so far!). Sure, Burleson has plenty of rough edges... that's what makes his music so real. He also has a kick-ass band with guys who know how to play country music with real feeling, and a bunch of songs that sound like a real, live human being wrote 'em, not some committee in Nashville. Burleson's other albums have all been really good... this one is really great... His best to date. Highly recommended!


Smiley Burnette "Smiley Burnette Is Frog Millhouse" (King, 1997)


Smiley Burnette "The Gentle Genius Of Country Music" (Binge Disc/Cattle Records, 1998)
Jovial post-WWII novelty tunes with that distinctive chug-chuggin' Los Angeles Hollywood country sound. Burnette really was a Hollywood dude, having played Gene Autry's sidekick in numerous cowboy oaters... (He later appeared as one of the train engineers on TV's Petticoat Junction...) The overlap between his film and music careers brought him into proximity to the Tinsel Town C&W set, including Merle Travis, who plays on several of these tracks. Though overall Burnette's delivery may have been a little effete or sluggish, there are still a bunch of charming tracks on here, particularly the fishing ballad, "Catfish, Take A Look At That Worm."


Smiley Burnette "Collector's Edition" (Simitar, 1998)


Smiley Burnette "Country Songs & Comic Cuts" (BACM, 2005)


Sonny Burns "A Real Cool Cat: The Starday Recordings" (Bear Family, 2011)
A rock-solid set of classic Texas honkytonk from the early 1950s... A rugged, agile hard-country singer, the little-remembered Sonny Burns had the same sort of wicked, near-rockin' uptempo vibe as George Jones, and indeed the two performed together and even cut a couple of duets for the Starday label. Burns and Jones also shared a hard-partying lifestyle, and one day when Burns was too hung over to make it to a recording session with George, Starday ended his contract, and his career. Before then, though, he cut over two dozen totally killer honkytonk songs, gathered here with typically high-class Bear Family flair. If you like sizzling old-school country, like the stuff cut by Hank and Faron Young and good old George Jones, then this disc is for you. Highly recommended!



Johnny Bush - see artist discography


Buz Butler "Money Ain't Everything" (BACM, 2006)
Gangly, gallumphing, old-school hillbilly novelty songs with a healthy dose of honkytonk... I wouldn't say that Butler, a fella from South Carolina who recorded about two dozen tracks in the late 1940s and early '50s, was the world's greatest singer, but this is some lively, fun comedic material, and his band was good and twangy. Butler's great claim to fame was that he recorded the original version of "Mule Train," and while others took the song to the top of the charts, his initial recording is pretty fun. Some songs are more strained, such as the goofy "Rubber Ball Bounce" -- there's also a fair chunk of folk-ish material such as "Gambling Fool" that sort puts him in the same territory as later singers such as Rusty Draper and Paul Evans. Still, there's enough grit and twang here to be of interest to hard country fans, even if the vocals are a bit clunky. Certainly worth checking out, especially if you have a weak spot for novelty songs.



Carl Butler & Pearl - see artist discography



Jerry Byrd - see artist discography





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