French Chanson & Musette Music, Letter "B" (Slipcue.Com French Music Guide) Obnoxious amphibian portrait... ribbit!

This page is part of a larger guide, reviewing various French chanson and musette recordings, focussing mainly on older, classic material, but also branching out to include some newer performers working in the same styles. Suggestions, recommendations and corrections are always welcome...

This page covers the letter "B"

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The Baguette Quartette "Rendezvous -- Parisian Cafe Music" (1997)
This San Francisco Bay Area ensemble plays French musette along with the occasional tango, and is one of the coolest acoustic acts around. Expatriate accordionist Odile LaVault contributes driving accompaniment to dozens of faithful renditions of Parisian cafe music from the 1920s and '30s, performed with a compelling, enthusiastic love of the material, and plenty of sheer musical know-how. Her fellow musicians also have great feeling for the style, and both of these albums are a treat. Check out The Baguette Quartet webpage for more information.

The Baguette Quartette "L'Aire De Paris" (1998)

The Baguette Quartette "Chez Moi" (2001)
Another nice album, with plenty of classic compositions written by the likes of Gus Viseur, Charles Peguri and Paul Misraki. Bay Area jazz guitarist Will Bernard is on board for this edition of the band, and adds some nice, sleek touches. Stylistically, this has some new sounds, mainly a couple of swing-flavored tunes, including Viseur's "Matelotte," a snappy late 1930s nod towards the gypsy jazz giant, Django Rinehardt. Warm, original takes on this old style -- check it out!

The Baguette Quartette "Toujours" (2004)

The Baguette Quartette "Bon Appetit! Cafe Classics" (Avalon, 2004)

Josephine Baker "Cocktail Hour" (Allegro, 2000)
Jazz singer Josephine Baker is one of the most fascinating stars of the old, Depression-era French music halls... An African-American expatriate who found greater acclaim on the Continent than in the colonies, Baker ditched her bluesier Stateside competitors such as Bessie Smith and Ethel Waters, and found fabulous celebrity as a French cabaret singer. She sang bilingually, in a chirpy voice which may take some acclimation on the part of new listeners. This 2-CD set shows Baker's breadth, with semi-operatic swoops countered by blues-laden sizzles. As with the other Allegro Cocktail collections, this is an affordable, idiosyncratic and rather enjoyable. Two CDs for the price of one, with the main drawback being the complete lack of liner notes. It's barebones packaging, but spiffy musique.

Josephine Baker "The Fabulous Josephine Baker" (RCA, 1962)

Josephine Baker "Josephine Baker" (Sandstone, 1992)

Josephine Baker "The Art Deco Series: Breezin' Along" (Sony, 1995)

Josephine Baker "Star Of Les Folies Bergeres" (ASV, 1998)

Josephine Baker "A Portrait Of Josephine Baker" (MCI, 1998)

Josephine Baker "Bonsoir My Love" (DRG, 1998)

Josephine Baker "1927-1939" (Fremeaux, 2003)

Josephine Baker "Star Of Les Folies Bergeres (International French Stars series)" (EPM, 2008)

Aime Barelli "Un Ange Comme Ca" (Marianne Melodie, 1999)
Jovial, robust postwar swing music from French bandleader, Aime Barelli, a trumpet player who was a fixture on the 1950's Monaco nightclub scene. Barelli was sort of a Harry James/Russ Morgan type player, on the simpler, poppier end of the spectrum, but with a certain uncomplicated charm. In contrast to his rather bland instrumental numbers, these tracks from 1949-55 are mostly fun, French-language vocal performances, with Barelli splitting the lead vocals with Jose Bartel, and chanteuse Lucienne Delyle singing on "Monte Carlo." An excellent set of lively big-band bombast, with a groovy Gallic twist.

Aime Barelli "Grands Orchestres De Music Hall" (Marianne Melodie, 2007)
A gentle set with Barelli dipping into Dixieland and light R&B, covering songs by Cab Calloway, Lionel Hampton, Glenn Miller,, all in a pointedly smooth style... Mostly the emphasis is instrumental, with less French-language vocals than one might like, but there are a few tunes that are fun... The instrumental-only tunes aren't really any different than American or British bands of the same era (or earlier: this 2-CD set covers 1950-55...) and as a result don't really wow me. Nostalgic material, but not essential; I'd recommend the collection above before this one.

Aime Barelli "Un Ange Comme Ca" (Marianne Melodie, 2006)

Luc Barney "J'ai Du Boire Un Peu Trop" (Marianne Melodie)

Joss Baselli "Les Archives De L'Accordeon" (Marianne Melodie)

Gilbert Becaud "Salut Les Copains" (Marianne Melodie)

Raquel Bitton "Rhythm Of The Heart" (RB Records, 2013)
(Produced by Raquel Bitton & Rafa Sardina)

A sweet, subtle, classy album by French-born chanteuse Raquel Bitton, who is best known for her stage show in tribute to Edith Piaf. On this album, Bitton glides skillfully and soulfully through a number of Latin American styles -- tangos, boleros, bossa nova and rumba -- with wonderful French-language tunes gleaned from the repertoire of Corsican crooner Tino Rossi, a French superstar who specialized in "Latin" flavored material in the 1930s and '40s. Bitton's versions are sublime, and bring a richness and immediacy to these songs that is a pure delight. Lush, emotive, redolent with melodrama and romance, this is exactly the way these songs should sound. Recommended!

Bob & Bobette "Chansons De Bob Et Bobette: 1929-1937" (Marianne Melodie, 1995)

Raymond Boisserie "Anthologie D'un Virtuose De L'Accordeon: 1951-59" (Marianne Melodie)
A 2-CD set of instrumentals by accordionist Raymond Boisserie, mostly with minimal backing by guitar, though sometimes by larger bands or light orchestras...

Marcelle Bordas "Succes Et Raretes" (Marianne Melodie)

Gino Bordin "Virtuose De La Guitare Hawaiienne: 1930s Paris" (Grass Skirt, 2009)
In the dawning years of the 20th Century, Hawaiian music hit the shores of France pretty much the same way as it did elsewhere, through showcase performances at grand fairs and exhibitions, swiftly followed by tours by pioneering Hawaiian performers. Although the exotic appeal of the new style clicked with listeners, few French musicians were able to master the style, at least not until guitarist Gino Bordin stepped up to the plate. Born in Vincenza, Bordin was one of the tens of thousands of Italian immigrants coming to France after the First World War -- he swiftly moved up in the ranks of France's musical elite, and when the Hawaiian music bug hit him, Bordin became the dominant figure in a particular musical niche. Bordin was one of the first French players to master Hawaiian-style slide guitar, and he applied it to a variety of popular genres, including waltzes, French chanson and musette, as well as good old "hapa haole" Hawaiian songs (novelty pop songs written to appeal to non-Hawaiian listeners). This disc gathers twenty-five prime recordings from Bordin's extensive catalog, recorded for a variety of labels between 1931-1937. The sound quality is great, the accompanying booklet is both chatty and informative, and the music is a lot of fun (although, admittedly, a bit more prim than some of the tunes being recorded by actual Hawaiians during the same era...) All in all, a great historical document with a lot of groovy vintage music... This is the second release from the fledgling Grass Skirt label: let's hope number three is equally exciting.

Bourvil "Le Milleur De Bourvil" (EMI-Odeon, 1998)

Bourvil "L'Essential" (EMI, 2002)

Bourvil "1946-1953" (Fremeaux, 2007)

Bourvil "C'est L'Piston" (Rym Musique, 2001)

Bourvil "A Bicyclette -- International French Stars series" (EPM, 2008)

Bourvil "La Tactique Du Fantaisiste" (2008)

Bourvil "Chansons Francaises : La Tactique Du Gendarme" (Stick Music, 2008)

Bourvil "Paris Music Hall" (Orphee, 2008)

Henri Bourtayre/Various Artists "Les Chansons De Ma Jeunesse" (Marianne Melodie, 2006)

Lucienne Boyer "Parlez-Moi D'Amour" (ASV Living Era, 1997)
I'm not sure how big a shadow Boyer cast in the annals of legend, but I certainly have a soft spot for her tender, fairy-tale arrangements and lilting songs of love and regret. These sentimental tunes were recorded in the 1930s, during the peak of her fame, and represent a softened, somewhat genteel take on the French cararet style. Lovely stuff with rather sparse arrangements. Recommended!

Lucienne Boyer "The Lady In Blue" (EPM, 1998)

Lucienne Boyer "Les Etoiles De Chanson" (MME, 1999)

Lucienne Boyer "Les Etoiles De Chanson, v.2" (MME, 2004)

Lucienne Boyer "1930-1948" (Fremeaux, 2003)
Another excellent collection of classic chanson from this famed chanteuse... This 2-CD set spans nearly a decade past the sinlge-disc ASV album listed above, and as such only overlaps it by about ten songs -- the entire second disc is devoted to Boyer's work in the 1940s, and it's lovely stuff. Although the arrangements flirt with the lush orchestrations of the pop vocals era, for the most part, it's still straight, old-school chanson, with fuller, richer modern sound quality. Boyer's voice is lovely throughout, although she did become more fluid and lyrical as she became a more seasoned performer... Great stuff: highly recommended!

Georges Brassens "50 Succes Essentiels: 1952-60" (Marianne Melodie)
A 2-CD set covering the yearly years of French songsmith George Brassens...

Aristide Bruant "Le Meilleur De Aristide Bruant" (EMI-Odeon/Disques Pathe, 1998)
A 2-CD set of this famed cabaret singer and comedian Aristide Bruant (1851-1927), who is famously recognized, swaddled in his trademark red scarf, from the paintings of Henri de Toulouse-Lautrec... Bruant's career preceded the advent of the record industry by several decades, but he was still around in the 1920s and made some notable recordings for Pathe, many of which are collected here...

Aristide Bruant "Montmerte - Enregistrements Originaux: 1905-1914" (Demon, 1995)
A 2-CD set...

Eva Busch "1939-1940" (Chansophone, 1995)+
Lovely stuff from a German singer, Eva Busch, who left Deutschland when Hitler came to power in 1933. She reestablished her career in Paris, where she recorded and performed for several years until her 1941 arrest in Nazi-occupied France, subsequently spending several years in prison. These prewar, French-language recordings are sublime -- perfectly performed chanson from an artist entirely comfortable singing in a second language. Great music, highly recommended.

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